Skip navigation
Skip content
Chapterhouse Dune by Frank Herbert
Add to Wish List

Almost ready!

In order to save audiobooks to your Wish List you must be signed in to your account.

      Log in       Create account

Gift memberships

Gift audiobooks to anyone in the world from the comfort of your home. You choose the membership (3, 6, or 12 months/credits), your gift recipient picks their own audiobooks, and local bookstores is supported by your purchase.

Start gifting Libro.fm app with a bow

Chapterhouse Dune

Book Six in the Dune Chronicles

$37.94 USD

Get for $14.99 with membership
Length 16 hours 41 minutes
Language English
Add to Wish List

Almost ready!

In order to save audiobooks to your Wish List you must be signed in to your account.

      Log in       Create account

The desert planet Arrakis, called Dune, has been destroyed. Now, the Bene Gesserit, heirs to Dune's power, have colonized a green world—and are tuning it into a desert, mile by scorched mile.

Chapterhouse Dune is the last book Frank Herbert wrote before his death: A stunning climax to the epic Dune legend that will live on forever.

Frank Herbert (1920-1986) created the most beloved novel in the annals of science fiction, Dune.  He was a man of many facets, of countless passageways that ran through an intricate mind.  His magnum opus is a reflection of this, a classic work that stands as one of the most complex, multi-layered novels ever written in any genre.  Today the novel is more popular than ever, with new readers continually discovering it and telling their friends to pick up a copy.  It has been translated into dozens of languages and has sold almost 20 million copies.

As a child growing up in Washington State, Frank Herbert was curious about everything. He carried around a Boy Scout pack with books in it, and he was always reading.  He loved Rover Boys adventures, as well as the stories of H.G. Wells, Jules Verne, and the science fiction of Edgar Rice Burroughs.  On his eighth birthday, Frank stood on top of the breakfast table at his family home and announced, "I wanna be a author."  His maternal grandfather, John McCarthy, said of the boy, "It's frightening. A kid that small shouldn't be so smart." Young Frank was not unlike Alia in Dune, a person having adult comprehension in a child's body.  In grade school he was the acknowledged authority on everything.  If his classmates wanted to know the answer to something, such as about sexual functions or how to make a carbide cannon, they would invariably say, "Let's ask Herbert. He'll know."

His curiosity and independent spirit got him into trouble more than once when he was growing up, and caused him difficulties as an adult as well.  He did not graduate from college because he refused to take the required courses for a major; he only wanted to study what interested him.  For years he had a hard time making a living, bouncing from job to job and from town to town. He was so independent that he refused to write for a particular market; he wrote what he felt like writing.  It took him six years of research and writing to complete Dune, and after all that struggle and sacrifice, 23 publishers rejected it in book form before it was finally accepted. He received an advance of only $7,500.

His loving wife of 37 years, Beverly, was the breadwinner much of the time, as an underpaid advertising writer for department stores.  Having been divorced from his first wife, Flora Parkinson, Frank Herbert met Beverly Stuart at a University of Washington creative writing class in 1946.  At the time, they were the only students in the class who had sold their work for publication.  Frank had sold two pulp adventure stories to magazines, one to Esquire and the other to Doc Savage.  Beverly had sold a story to Modern Romance magazine.  These genres reflected the interests of the two young lovers; he the adventurer, the strong, machismo man, and she the romantic, exceedingly feminine and soft-spoken.

Their marriage would produce two sons, Brian, born in 1947, and Bruce, born in 1951. Frank also had a daughter, Penny, born in 1942 from his first marriage.  For more than two decades Frank and Beverly would struggle to make ends meet, and there were many hard times.  In order to pay the bills and to allow her husband the freedom he needed in order to create, Beverly gave up her own creative writing career in order to support his.  They were in fact a writing team, as he discussed every aspect of his stories with her, and she edited his work.  Theirs was a remarkable, though tragic, love story-which Brian would poignantly describe one day in Dreamer of Dune (Tor Books; April 2003).  After Beverly passed away, Frank married Theresa Shackelford.

In all, Frank Herbert wrote nearly 30 popular books and collections of short stories, including six novels set in the Dune universe: Dune, Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune, and Chapterhouse: Dune.  All were international bestsellers, as were a number of his other science fiction novels, which include The White Plague and The Dosadi Experiment.  His major novels included The Dragon in the Sea, Soul Catcher (his only non-science fiction novel), Destination: Void, The Santaroga Barrier, The Green Brain, Hellstorm's Hive, Whipping Star, The Eyes of Heisenberg, The Godmakers, Direct Descent, and The Heaven Makers. He also collaborated with Bill Ransom to write The Jesus Incident, The Lazarus Effect, and The Ascension Factor.  Frank Herbert's last published novel, Man of Two Worlds, was a collaboration with his son, Brian.

Scott Brick first began narrating audiobooks in 2000, and after recording almost 400 titles in five years, AudioFile magazine named Brick a Golden Voice and “one of the fastest-rising stars in the audiobook galaxy.” He has read a number of titles in Frank Herbert’s bestselling Dune series, and he won the 2003 Science Fiction Audie Award for Dune: The Butlerian Jihad. Brick has narrated for many popular authors, including Michael Pollan, Joseph Finder, Tom Clancy, and Ayn Rand. He has also won over 40 AudioFile Earphones Awards and the AudioFile award for Best Voice in Mystery and Suspense 2011. In 2007, Brick was named Publishers Weekly’s Narrator of the Year.

 Brick has performed on film, television and radio. He appeared on stage throughout the United States in productions of Cyrano, Hamlet, Macbeth and other plays. In addition to his acting work, Brick choreographs fight sequences, and was a combatant in films including Romeo and Juliet, The Fantasticks and Robin Hood: Men in Tights. He has also been hired by Morgan Freeman to write the screenplay adaptation of Arthur C. Clarke’s Rendezvous with Rama.

Simon Vance is the critically acclaimed narrator of approximately 400 audiobooks, winner of 27 AudioFile Earphones Awards, and a 12-time Audie Award-winner. He won an Audie in 2006 in the category of Science Fiction and was named the 2011 Best Voice in Biography and History and in 2010 Best Voice in Fiction by AudioFile magazine. 

 Vance has been a narrator for the past 25 years, and also worked for many years as a BBC Radio presenter and newsreader in London.  Some of his best-selling and most praised audiobook performances include Stieg Larsson’s The Girl with the Dragon Tattoo, Hilary Mantel’s Bring Up the Bodies (an Audie award-winner), Ian Fleming’s Casino Royale, Oscar Wilde’s The Picture of Dorian Gray, Patrick O’Brian’s Master and Commander series (all 21 titles), the new productions of Frank Herbert’s original Dune series, and Rob Gifford’s China Road (an AudioFile 2007 Book of the Year). Vance lives near San Francisco with his wife and two sons.

Katherine Kellgren has recorded over 200 audiobooks and won four Audie Awards, three ALA Odyssey Honors, and eight AudioFile Earphones Awards. In 2011, Kellgren was named the  Best Voice in Young Adult & Fantasy, and she won the Audie award for Best Female Narrator in both 2013 and 2014.  Kellgren has also appeared onstage in London, New York and Frankfurt. She has recorded numerous plays and dramatizations of novels for the radio, including winners of the Peabody Award. She is a graduate of The London Academy of Music and Dramatic Art. In naming Kellgren a “Golden Voice,” AudioFile magazine noted that she is a "marvel with accents...she is definitely a narrator to keep an ear out for." She lives in New York City.

Euan Morton’s narration credits include Christopher Moore’s Fool and Sacre Bleu, Neil Gaiman’s Stories, Eoin Colfer’s Benny books, and Frank Herbert’s Dune and Chapterhouse Dune. Morton’s breakthrough role was appearing as Boy George in the musical Taboo, which earned him a Laurence Olivier Award nomination. He reprised the role on Broadway, earning Tony, Drama Desk, Outer Critics Circle and Drama League Award nominations, as well as the Theatre World Award (for Outstanding Broadway Debut). Morton's other stage performances include Leaves of Glass, Sondheim on Sondheim, and Cyrano De Bergerac. He lives in New York City and Arlington, Virginia.

Gift memberships

Gift audiobooks to anyone in the world from the comfort of your home. You choose the membership (3, 6, or 12 months/credits), your gift recipient picks their own audiobooks, and local bookstores is supported by your purchase.

Start gifting Libro.fm app with a bow

Reviews

“Even if you've already read the entire series (or heard another version), the great production and voice work in this release makes it worth the time spent listening. Like me, you'll probably gain some additional insights after hearing Macmillan Audio's rendition of this classic.” —SF Site

“...the talented cast--Euan Morton, Katherine Kellgren, Scott Brick and Simon Vance--do yeoman's labor. Each reads from a different point of view, a move that could easily be confusing but for the superb direction.” —Publishers Weekly

“This science-fiction novel works exceptionally well as a full-cast recording…Simon Vance helps listeners conjure vivid mind pictures from Herbert's poetic descriptions.” —AudioFile

“Euan Morton, Katherine Kellgren, Scott Brick and Simon Vance do an excellent job of distinguishing the wide variety of male and female characters involved in this episode... [I] recommend that other Dune fans try the audiobooks.” —Bookloons.com

Expand reviews