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Learn moreIn The Adventuress, the next entry in the New York Times bestselling series by Tasha Alexander, Lady Emily Hargreaves travels to the south of France where an apparent suicide may be something far more sinister
Emily and husband Colin have come to the French Riviera for what should be a joyous occasion - the engagement arty of her lifelong friend Jeremy, Duke of Bainbridge, and Amity Wells, an American heiress. But the merrymaking is cut short with the shocking death of one of the party in an apparent suicide. Not convinced by the coroner's verdict, Emily must employ all of her investigative skills to discover the truth and avert another tragedy.
TASHA ALEXANDER is the author of the New York Times bestselling Lady Emily mystery series. The daughter of two philosophy professors, she studied English literature and medieval history at the University of Notre Dame. She and her husband, novelist Andrew Grant, live on a ranch in southeastern Wyoming.
Reviews
“Author Tasha Alexander is one to watch--and read. . . . despite her cliffhanger climaxes and witty repartee, there's a depth of sensitivity which sets her apart.” —The Huffington Post on Dangerous to Know
“With wisps of darkness, shadows of a ghost story and embers of heightened Freudian themes, Dangerous to Know is the perfect novel to curl up with and chase away the world.” —Examiner.com
“Infused with wit and charm, with just the right amounts of danger, romance and detection blended in.” —Denver Post on Tears of Pearl
“[Tears of Pearl] will please readers of Anne Perry, Laurie R. King, and Deanna Raybourn seeking a new fan-favorite author.” —Library Journal on Tears of Pearl
“A thoroughly enjoyable adventure with both historical texture and emotional depth.” —Anne Perry, New York Times bestselling author on A Fatal Waltz
“Alexander's sweetly choreographed plot dances between her wonderfully drawn sleuth, Lady Ashton, and Victorian high society.” —Julie Spencer-Fleming, Edgar Award finalist and author of All Mortal Flesh on A Poisoned Season
“Alexander excels in depicting the social mores of a society uncomfortable with the independence of women, and deftly allows the plot to develop in tandem with Emily's growth.” —The Baltimore Sun on And Only to Deceive