Start gifting
Libro.fm for Business
Start a membership, get two free audiobooks
Bookseller Created
Books for a Road Trip
Celebrate indie bookstores with our limited-time sale!
Shop the sale
Send as gift
Add to Wish List
Almost ready!
In order to save audiobooks to your Wish List you must be signed in to your account.
Log in Create account
Shop the sale
In celebration of Independent Bookstore Day, shop our limited-time sale on bestselling audiobooks from April 22nd-28th. Don’t miss out—purchases support your local bookstore!
Shop nowDriftless
Narrator
Lloyd James
This audiobook uses AI narration.
We’re taking steps to make sure AI narration is transparent.
Learn more
Length
15 hours 18 minutes
Language
English
Driftless is an unforgettable story of contemporary life in rural America. Home to a few hundred people yet absent from state maps, Words, Wisconsin, comes richly to life by way of an extraordinary cast of characters. Among them, a middle-aged couple guards the family farm from the mendacious schemes of their milk cooperative; a lifelong invalid finds herself crippled by her resentment of and her affection for her sister; a woman of conflicting impulses and pastor of the local Friends Church stumbles upon an enlightenment she never expected; a cantankerous retiree discovers a cougar living in his haymow, haunting him like a childhood memory; and a former drifter forever alters the ties that bind a community together. At once intimate and funny, wise and generous, Driftless marks the triumphant return of a significant American writer.
David Rhodes received an MFA degree from the University of Iowa Writers’ Workshop in 1971. He published three novels in rapid succession The Last Fair Deal Going Down, The Easter House, and Rock Island Line. In 1977 a motorcycle accident left him paralyzed from the chest down. He lives with is wife, Edna, in rural Wisconsin.
Lloyd James (a.k.a. Sean Pratt) has been narrating since 1996 and has recorded over six hundred audiobooks. He is a seven-time winner of the AudioFile Earphones Award and has twice been a finalist for the prestigious Audie Award. His critically acclaimed performances include Elvis in the Morning by William F. Buckley Jr. and Searching for Bobby Fischer by Fred Waitzkin, among others.
Reviews
“A series of portraits that resemble Edgar Lee Master's Spoon River Anthology in their vividness and in the cumulative picture they create of village life. Each of these stories glimmers.”
“A symphonic paean to the stillness that can be found in certain areas of the Midwest…The writing in Driftless is beautiful and surprising throughout…It’s this poetic pointillism that originally made Rhodes famous.”
“Rhodes shows he still knows how to keep readers riveted. Add a blizzard, a marauding cougar, and some rabble-rousing militiamen, and the result is a novel that is as affecting as it is pleasantly overstuffed.”
“In the Driftless region of Wisconsin, the rural town of Words is no longer on any map, but twenty-first-century concerns still manage to intrude. Lloyd James delivers a low-key yet deeply engrossing performance as the lives of the people are indelibly etched into our consciousnesses. James presents farmer Rusty Smith as a curmudgeon who eventually bites the bullet and hires local Amish carpenters. The portraits of James’s women characters are well done, especially those of new minister Winifred Smith’s and sisters Olivia and Violet Brasso. As Graham and Cora Shotwell, the couple caught in a Kafka-esque web for trying to expose a corrupt milk co-op, James is appropriately angry and perplexed. The pace is slow, the rhythms are easy, and James is top-notch.”
“In vividly realized scenes involving family secrets, legal battles, gambling, and miracle cures, Rhodes illuminates the wisdom acquired through hard work, the ancient covenant of farming, and the balm of kindness. Encompassing and incisive, comedic and profound, Driftless is a radiant novel of community and courage.”
“Though Driftless is a deeply contemporary tale—what it has to say about the way corporations treat small farmers is, for example, quite pressing—it also has the architectural complexity of the great 19th-century novels, but without the gimcrackery too often required to hold their stories together. It partakes as much of the moral universe of Magnolia as of Middlemarch. And it earns comparison to both.”
Expand reviews