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Those Who Leave and Those Who Stay by Elena Ferrante
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Those Who Leave and Those Who Stay

$20.99

Retail price: $22.95

Discount: 8%

This title is not eligible for purchase with membership credits. Why?

Narrator Hillary Huber
Translator Ann Goldstein
Length 16 hours 42 minutes
Language English
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In the third book in the New York Times bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood.

Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons.

Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal).

ELENA FERRANTE is the author of The Days of Abandonment (Europa, 2005), which was made into a film directed by Roberto Faenza, Troubling Love (Europa, 2006), adapted by Mario Martone, and The Lost Daughter (Europa, 2008), soon to be a film directed by Maggie Gyllenhaal. She is also the author of Frantumaglia: A Writer's Journey (Europa, 2016) in which she recounts her experience as a novelist, and a children's picture book illustrated by Mara Cerri, The Beach at Night (Europa, 2016). The four volumes known as the "Neapolitan quartet" (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child) were published in America by Europa between 2012 and 2015. The first season of the HBO series My Brilliant Friend, directed by Saverio Costanzo, premiered in 2018.

ANN GOLDSTEIN has translated into English all of Elena Ferrante's books, including the New York Times bestseller, The Story of the Lost Child, which was shortlisted for the MAN Booker International Prize. She has been honored with a Guggenheim Fellowship and is the recipient of the PEN Renato Poggioli Translation Award. She lives in New York.

Hillary Huber, a Los Angeles–based voice talent with hundreds of commercials and promos under her belt, was bitten by the audiobook bug in 2005. She now records books on a regular basis and has been nominated for several Audie Awards and won numerous Earphones Awards.


ANN GOLDSTEIN is an editor at The New Yorker. She has translated works by, among others, Elena Ferrante, Pier Paolo Pasolini, Primo Levi, Giacomo Leopardi, and Alessandro Baricco, and is the editor of The Complete Works of Primo Levi in English. She has been the recipient of the PEN Renato Poggioli Translation Award, a Guggenheim Fellowship, and awards from the Italian Foreign Ministry and from the American Academy of Arts and Letters.

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Reviews

“Ferrante has authored a ‘Portrait of the Artist as a Young Woman’ that captures not only the forging of a self but the salvaging of it.”

“Ferrante writes with the kind of power saved for weather systems with female names, sparing no one, and Those Who Stay is a tour de force. I don’t want to read anything else.”

“Elena Ferrante is one of the great novelists of our time.”

“Surpass[es] the rapturous storytelling of the previous titles in the Neapolitan Novels.”

“Rising far above the melodrama of a typical coming-of-age story, this third in Ferrante’s four Neapolitan novels exhibits keen intellectual curiosity and heartfelt passion as it continues to explore the lives of childhood friends Lina and Elena…Superbly translated, this tour de force shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series.”

“Ferrante continues to imbue this growing saga with great magic, treating the girls’ years of marriage and motherhood with breathtaking honesty while envisaging the turbulence of political and social unrest in 1970s Italy. Though originally planned as a trilogy, the story doesn’t finish here, as this book ends with a hook that will leave readers eagerly awaiting the next installment.”

“Ferrante’s lucid rendering of Lila’s and Elena’s entwined yet discrete lives illustrates both that the personal is political and that novels of ideas can compel as much as their lighter-weight counterparts.”

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