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The Autobiography of My Mother by Jamaica Kincaid
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The Autobiography of My Mother

$17.96

Retail price: $19.95

Discount: 9%

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Narrator Robin Miles
Length 6 hours 25 minutes
Language English
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From the recipient of the 2010 Clifton Fadiman Medal comes an unforgettable novel of one woman’s courageous coming of age.

Powerful, disturbing, and stirring, Jamaica Kincaid’s novel is the deeply charged story of a woman’s life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Jamaica Kincaid takes us from Xuela’s childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack La Batte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela’s intensely physical world is redolent of overripe fruit, gentian violet, sulfur, and rain on the road. It seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, and her desperate loneliness. But underlying all is “the black room of the world” that is Xuela’s barrenness and life without a mother.

The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman’s inexorable evolution, evoked in startling and magical poetry.

Jamaica Kincaid is the author of short stories, novels, and nonfiction, including See Now Then, which was a New York Times bestseller. She is the 2022 recipient of the Hadada Award, the Paris Review’s award for lifetime achievement. She is a member of the American Academy of Arts and Letters and has received a Guggenheim Fellowship, the Lannan Literary Award for Fiction, the Prix Femina Étranger, the Anisfield-Wolf Book Award, the Clifton Fadiman Medal, and the Dan David Prize for Literature. She is a professor of African and African American studies at Harvard and a visiting writer at UCLA in the spring of 2022. She was born in St. John’s and is a former reporter for the New Yorker magazine.

Robin Miles began her audiobook narration in 1994.  She's read over 130 titles covering many different genres and has won multiple Earphones awards.  Her many audiobook credits include Augusten Burroughs's Sellevision, Edwidge Danticat's Brother I'm Dying, and Lalita Tademy's Cane River.  Her film and television credits include The Last Days of Disco, Primary Colors, Law & Order: Criminal Intent, Law & Order, New York Undercover, National Geographic’s Tales from the Wild, All My Children, and One Life to Live.  She regularly gives seminars to members of SAG and AFTRA actors' unions, and in 2005 she started Narration Arts Workshop in New York City, offering audiobook recording classes and coaching.  She holds a B.A. in Theater Studies from Yale University, an MFA in acting from the Yale School of Drama, and a certificate from the British American Drama Academy in England.

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Reviews

“Jamaica Kincaid’s writing is often described as lyrical. Miles brings that poetry to listener’s ears, where it sings…Miles continually brings listeners back to Xuela’s stark reality and her will to survive.”

“Fierce, incantatory…Lyrical…Powerful and disturbing.”

“A book that comes both to haunt and to dazzle us…[Kincaid] writes like an angel: with enviable lucidity and precision and a lyric touch that frequently aspires to the condition of poetry.”

“Kincaid, always an eloquent stylist, makes this story of a simple woman extraordinary,…filling her prose with rich, poetic detail…An unforgettable account of singular survival.”

“[A] disturbing, compelling novel set on the island of Dominica.”

“More argument than novel, it’s the drama of the personal voice that makes it a spellbinding narrative…Lyrical, brave, defiant.”

“Kincaid explores the full paradoxes of this extraordinary story…at once the testament of the mother she never knew, of the mother she never allowed herself to be, and of the children she refused to have.”

“Sensual, jarring observations by a distanced yet obsessive narrator propel this workKincaid’s dark, bold meditation…has a place in all substantive fiction collections.”

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