By the late 1960s and early 1970s, reeling from a wave of urban uprisings, politicians finally worked to end the practice of redlining. Reasoning that the turbulence could be calmed by turning Black city-dwellers into homeowners, they passed the Housing and Urban Development Act of 1968, and set about establishing policies to induce mortgage lenders and the real estate industry to treat Black homebuyers equally. The disaster that ensued revealed that racist exclusion had not been eradicated, but rather transmuted into a new phenomenon of predatory inclusion.
Race for Profit uncovers how exploitative real estate practices continued well after housing discrimination was banned. The same racist structures and individuals remained intact after redlining's end, and close relationships between regulators and the industry created incentives to ignore improprieties. Meanwhile, new policies meant to encourage low-income homeownership created new methods to exploit Black homeowners.
Narrating the story of a sea-change in housing policy and its dire impact on African Americans, Race for Profit reveals how the urban core was transformed into a new frontier of cynical extraction.
Janina Edwards, a graduate of New York University's Tisch Schools of the Arts, recorded her first audiobook in 1987. She was born in Chicago, soaked in New York City's African and West Indian accents for 11 years, and for the past twenty years has swum in the swagger of the south (Atlanta, Georgia). As a result, she excels in portraying authentic characters and voices the African Diaspora. Her 2018 audiobook, The Wedding Date, is an AudioFile Earphones Award winner, and Voice of Freedom (2016, Dreamscape) was an Audie Award finalist. In addition to narrating audiobooks, she is a certified yoga teacher, sings kirtan, and plays the violin.