Almost ready!
In order to save audiobooks to your Wish List you must be signed in to your account.
Log in Create accountShop the sale
In celebration of Independent Bookstore Day, shop our limited-time sale on bestselling audiobooks from April 22nd-28th. Donāt miss outāpurchases support your local bookstore!
Shop nowMostly Dead Things
This audiobook uses AI narration.
Weāre taking steps to make sure AI narration is transparent.
Learn moreBookseller recommendation
“After her father commits suicide, Jessa is tasked with saving her familyās taxidermy business from going bankrupt. She also has to take care of her familyās strange problems ā including her motherās affinity for turning their taxidermy into risquĆ© works of art. Mostly Dead Things is a fun, eccentric book with a steamy lesbian romance, ongoing sibling rivalry, and dark confessions of a family that is willing to go the mile in order to make ends meet. Stuffed with humor, heartfelt moments, and some gritty bits, Arnettās writing will make you laugh, cry, and wonder how an authorās first novel can be so engaging and well-written!”
— Sage Cristal • UC San Diego Bookstore
One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Miloās wifeāand the only person Jessaās ever been in love withāwalks out without a word.
As Jessa seeks out less-than-legal ways of generating income, her motherās art escalatesāpicture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual poseāand the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.
Kristen Arnettās debut novel is a darkly funny, heart-wrenching, and eccentric look at loss and love.
Kristen Arnett is a queer fiction and essay writer. She won the 2017 Coil Book Award for her debut short fiction collection, Felt in the Jaw, and was awarded Ninth Letterās 2015 Literary Award in Fiction. Sheās a columnist for Literary Hub, and her work has either appeared or is upcoming in North American Review, the Normal School, Gulf Coast, TriQuarterly, Guernica, Electric Literature, Vol. 1 Brooklyn, Bennington Review, Tin House Flash Fridays / The Guardian, Salon, The Rumpus, and elsewhere.
Jesse Vilinsky is an accomplished voice actor and improviser. She received her bachelorās degree in theatre from the University of Southern California and trained and performed with the prestigious British American Drama Academy in London. An alumnus of The Second City Training Center in Hollywood, she co-wrote and performed in two acclaimed original sketch comedy shows there. She has lent her voice to numerous projects, and she relishes any opportunity to breathe life into a character.
Reviews
āMostly Dead Things is one of the strangest and funniest and most surprising first novels Iāve ever read.ā
āSet in a richly rendered Florida and filled with delightfully wry prose and bracing honesty, Arnettās novel introduces a keenly skillful author with imagination and insight to spare.ā
āKristen Arnett is the queen of the Florida no one has ever told you about, and on every page she brings it to a steely and vivid life.ā
āItās funny, dark, complex, and queer.ā
āThe action flips from the past to the present, swimming through first love and first grief on a slick of red Kool-Aid and vodka, suntan oil and fruity lip gloss, easy and unforced. This book is my song of the summer.ā
ā[Arnett] gets many things right in this first novel: the feeling of being trapped and vulnerable within oneās own family.ā
āNarrator Jesse Vilinksky gives a wistful performance of Arnettās debut novelā¦Vilinskyās melancholy narration highlights the fact that Jessa is deeply depressed, a reality Jessa herself canāt acknowledge. Other characters, mostly members of the Morton family, are easily distinguishable, thanks to Vilinksyās fully developed voicesā¦She fully captures the emotional core of this story about family and the strange contours of grief.ā
āJesse Vilinsky is able to narrate Jessaās first-person account in a manner that lets readers know that Jessa has spent her life hiding her feelings. She fittingly adds bursts of emotion and a quivering quality to her voice but is able to keep her overall manner reserved. All of the characters have their own distinct voices.ā
āA family drama thatās as weirdly wonderful as it is captivating.ā
āA strange, loving, and often startlingly funny portrait of loss and the act of piecing together the scraps of whatās left in griefās wake.ā
āA bold, dark and profoundly comic novel about the nature of love, loss, and invention.ā
āArnett writes with keen perception and clarity throughout, not just of grief and old wounds but of the working-class Florida landscape in which the Mortons live. This is an exquisitely painful and tender story, compassionate and understanding of its characters and their myriad flaws.ā
āA celebration of the strangeness of life and love and loss, all of it as murky as a Florida swamp but beautiful in its wildness.ā
āArnettās vision of Florida as a creative swamp of well-meaning misfits and the sweet hopefulness of finding your way back to yourself through family.ā
āArnett brings all of Floridaās strangeness to life through the lens of a family snowed under with grief.ā
āA clever debut with a Florida setting that brings to mind writers such as Karen Russell and Lauren Groff.ā
Expand reviews