Tin House Summer Workshop Reads 2020

“I am in love with Jami Attenberg’s writing, and was gripped by All This Could Be Yours from the opening pages. Everything about the Tuchmans felt so true to me: Alex’s confusion and anger toward the family’s toxic, now-comatose patriarch, Victor; Barbra’s isolation in her later years after a long marriage to a brute; Twyla and Gary’s unwinding secret selves—all of it is so perfectly told and paced. Full of Attenberg’s trademark dry wit and precise, uncomfortable insight into the psychology of family love (and its close cousin, family hate), this novel had me laughing with genuine joy and crying in real sadness at the same time.”

“R.O. Kwon’s debut knocked me sideways. The Incendiaries is a serious reckoning with the problem of fanaticism and the violence of blind devotion. The story of Will and Phoebe is told with an extraordinarily smart and soulful style. I was amazed at how perfectly Kwon’s spare language fit her novel’s expansive scope. A stunning portrait of what faith can do and undo, The Incendiaries will delight and disturb. But, most of all, it will impress.”

“Fruit of the Drunken Tree made me cry at the airport. I was impressed by the small kingdom of women Contreras builds, with violence always threatening to creep in, all seen through the eyes of Chula, the youngest daughter. Contreras made her perspective believably cloistered while masterfully writing all the people around Chula in ways that made them feel real. Also masterful was the way Contreras used Petrona’s narrative throughout and the restraint she showed in dipping into her thoughts; she always left me wanting more. What Contreras chooses not to write has as big an effect as what she does. This novel is a dynamic exploration of what is known and, sometimes willfully, what is left unknown.”

“I liked What Belongs to You, but I LOVED Cleanness. In this honest and utterly human work, Greenwell revisits the narrator and world of his previous novel. In beautifully crafted prose, he deftly captures the complexities of human interiority, identity, and sexuality. Where What Belongs to You offered a deep dive into the narrator's sense of self through the lens of a single relationship, Cleanness uses a kaleidoscopic and episodic structure to great effect. We move easily from the intimately personal to the global and political. Throughout the collection, Greenwell's narrator offers a deeply resonant look at growing up and living as a gay man, both in the American South and in Eastern Europe; falling in and out of love; and sex as an act of healing and of self-destruction. Greenwell is a gem of a writer, and he's a truly stellar reader. I both read a copy and listened to the audiobook, and Cleanness gains even more immediacy and empathy when it's voiced. Slim but never light, this volume cements Greenwell's place in my personal literary canon alongside the likes of Virginia Woolf. ”

“I never understood what it meant for someone's writing to be 'lyrical' until I picked up Red Clocks. With beautiful prose, Leni Zumas tells the story of a young girl seeking an abortion in a world where abortion is illegal and dangerous; a woman on the quest to have children when in-vitro fertilization is illegal and folks aren't allowed to adopt without a partner; a woman in a dead-end marriage desperate to escape from her husband and children; and a woman considered a witch by most who provides homeopathic reproductive healthcare, including illegal abortions. Zumas beautifully weaves these stories together and gives each individual a strong and unique voice, while also maintaining suspended disbelief. These characters felt real and this world felt possible. I suspect this will be one of the best books published in 2018.”

“Finally, a book which tackles singleness with the nuance such a subject deserves. Thank you, Jami Attenberg, for pushing back against society’s assumptions about what is allowed to matter in our lives. For giving us a different kind of narrative. All Grown Up is not all fluffy and lovely. It turns out that we have other stories — we single people. We human beings.”

“Saeed doesn't hold back any details, and his chapters often read like biographical poetry. This book is a window into a different life, and a different soul. It also makes a great listen.”

“Intense, haunting, and exquisitely rendered, the stories in Lesley Nneka Arimah's debut collection exist in a category of their own. They are individual worlds linked together by familiar themes - self-discovery, yearnings to love and be loved, generational divides, and the meanings of home and place - refashioned in a fresh, new light. Arimah shines in this debut, whose magic will surely live with you beyond the final page. Absolutely stunning.”

“I feel that Dennis-Benn is unparalleled in writing the insidious unforgivables. The mother who can't find love for her daughter, the more-than-friend who takes everything you give them and never gives back, the daughter told to be a "good girl" who finds difficulty doing either of those things for the woman who ends up raising her. Like her debut, this novel is filled with characters tormented by the compromises they made but whose character Dennis-Benn refuses to compromise. The painfully recognizable humanity of everyone in Patsy asks us all to reach inside for the empathy we're capable of for people we wouldn't normally think to give it to.”