Asian and Pacific Islander American Heritage Month

“Raw, but not unpolished. Dripping with sadness and honey. Rage beyond anger, a lesson in history and violence. A comprehensible example of otherness in America for those who haven’t experienced it; for those who don’t know they’re perpetuating it. An honest portrayal of a life shaped by governments’ omissions, of the lies of the self and others, and of waking to the daylight, the promise held in sunshine, and in finding one’s own voice, own words, own way of telling one’s own story.”

“This book really hit it out of the park for me; as an Asian-American I could really relate to the main character in a lot of ways. An example of this, is Frank's wanting to please his parents, but yet also be his own person was something that I think most people, myself included can identify with. There are definitely plot twists that keep you on your toes. It was humorous, enjoyable, and well written. I would definitely re-read this one again! I think I would even like a physical copy!”

“We all make choices throughout our lives, choosing different paths to follow, different roles to play. But who selects the options we choose from? Interior Chinatown is like a rapier taken to stereotypes that inhabit society's attitudes towards Asian Americans. The main character, Willis Wu, is a minor actor in an ongoing cop drama who wants to be more than a generic Asian male in the background, maybe even someday becoming "Kung Fu Guy". The novel bounces back and forth between the script Wu is inhabiting and an interior monologue . And one of the strengths of this book, for the reader, is how thin the line sometimes feels between these stereotypical roles that Willis is acting, and the ridiculousness of the particular situation. Interior Chinatown is a brilliant novel, one that challenged this reader in the best possible ways”

“In post-Gold Rush California, a Chinese-American family struggles to make money to improve their lives. When bad things get even worse, 10 and 11-year old Lucy and Sam take off on a stolen horse and head east, living off the land. Sam takes off on her own, and Lucy ends up in a town but never feels really at home. The two sisters meet up again several years later and decide to try to fulfill their mother's dream—traveling to China where they might finally find Home. With lyrical style that cloaks the narrative of a chain of miserable events in a dream-like quality, Zhang's writing evokes the real sense of alienation that many immigrants and displaced people feel as they search for a place to belong. The writing is beautiful. Recommended.”

“Written as a letter from son to mother, Ocean Vuong's On Earth We're Briefly Gorgeous is desolately beautiful. Each carefully crafted sentence builds upon the last, a momentum that carries you through a hundred pages before you remember to take a breath. Bleak, brilliant, it is the book other books will be compared to for years. Honestly, I would have been fine if it had been the last book I ever read.”