The Center for Fiction's 2021 First Novel Prize Longlist

“This is the best book I’ve read this year. An ambitious debut novel tracing the history of one family against the backdrop of American history and showing the stories that are remembered and the ones that are forgotten.”

“Perhaps I have a different perspective on this book because I have a younger brother who is a Black, 20-something man in sales, but this book presents an evocative, honest, complex portrait of being a BIPOC person in a white-dominant workplace (albeit one that is high-powered, sales-driven, and New York City-based). This is a book that allows a reader to be seen if this is their experience, but also for a reader to learn about a different reality if this is not their own. Black Buck is a tightly woven, contemporary debut from an author to watch.”

“This was quite the stunning debut - I loved the meta quality of the narration and the overall lyrical writing style. A powerful and commanding story! ”

“Tender and politically evocative, Hades, Argentina is a beautiful portrait of grief and reflection. Loedel has created a breathtaking debut that examines the complexities of love and the way our memories betray us. This book will stay with me for a long time.”

“Over the course of a year, told in a collection of snapshots, Brood shows the life of a woman grieving by doing anything but. She gives herself purpose by taking care of a small flock of chickens, as well as finding small but kind, funny, or wry ways of interacting with her neighbors, eccentric mother-in-law, and caring husband, Percy. There are plenty of clever and funny moments from scene to scene (not to mention the odd and interesting analyses of a chicken’s life and point of view), but the beauty in this book lies in the narrator’s acceptance of the everyday, and of all the things — bad, good, but mostly in-between — that come therein.”

“Gold as a drug. Gold as a metaphor for the glittering hopes and burdens new immigrants put on their children’s shoulders. Gold as the thread weaving history, memory, and imagination, a meditation on how the past blends into the present. Gold as the object of an improbable heist. There is so much in this book, but it is first and foremost an extraordinarily good yarn, the story of two generations of American-Indian immigrants trying to become Americanized while clinging to a fetishized, culturally commodified India. There is love, drugs, alchemy, and stories about the gold rush, both the forty-niners and the new gold diggers of the tech bubble. It’s fun and fast-paced, except when you stop short for a sentence so evocative you want to dwell on it. A seriously good book by a seriously talented writer.”

“Patricia Lackwood's Priestdaddy is one of my favorite memoirs of all time, so I knew I just HAD to get my hands on her debut novel. As expected it's weird and quirky as hell, a tad inappropriate but makes you literally LOL. She creates a plot through a constellation of nebulous observations and witticisms that, as I said, is expected from her. And the narrator's voice drips with that certain sarcasm that is perfectly in line with Lockwood's. What I did NOT expect, however, is for these drifting sentiments and sediments to suddenly unify as one sharp needle point at the book's climax and rip out my still-beating heart. The audacity of Patricia Lockwood! After I was done ugly crying, I was able to take a step back and truly appreciate how marvelous this book really is. Do yourself a favor and just read it.”

“A gripping debut that takes all of the skeletons out of the Briscoe family closet and throws them on the front lawn. The depth of character development speaks to my own east Texan family, which feels disconcerting and scandalous. A page-turning read that you won’t want to end.”

“The Archer is the story of a young Indian woman who longs to be a classical dancer — to feel that rhythm, to have that as her life focus — yet is continually buffeted by her choices and those made for her.”

“One of a number of excellent debut novels already out in the still-new year, this is a singular work. Taking on the coming-of-age from young adulthood into something deeper and more mature, the story follows a sister and brother as they reckon with their mother’s passing and begin to understand what life should and should not be as it gets lived. Their tourist town of Ciudad de Tres Hermanas gives us not only a vivid picture of the present but casts a knowing eye on the layers of the past. Beautifully done.”