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Learn moreThroughout these poems, with their roaming sense of first-person, the speakers' minds are cavernous and echoic, primal and sophisticated, observant and raw, in and out of control of themselves. The effect is unpredictable and thrilling, at once a dark art and an illumination of unease and loss and wishfulness. The collection features disquieting songs of a mutable self alongside poignant elegies, interior journeys and subtle (and not so subtle) ripostes to the legacy of Trumpism - while elsewhere encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Laforgue. These poems twinkle with mischief and humour, making for a pungent and haunting read. Riordan - a poet whose strong, rippling influence is felt by all in his wake - affirms his reputation at the forefront of contemporary poetry.
Maurice Riordan was born in 1953 in Lisgoold, Co. Cork. His first collection, A Word from the Loki (1995), was nominated for the T. S. Eliot Prize, as was The Water Stealer (2013). Floods (2000) was a Book of the Year in both the Sunday Times and the Irish Times, and The Holy Land (2007) won the Michael Hartnett Award. He lives in London, where he has taught at Imperial College and Goldsmiths College. Riordan was Editor of The Poetry Review from 2013 to 2017 and is Emeritus Professor of Poetry at Sheffield Hallam University.
Maurice Riordan was born in 1953 in Lisgoold, Co. Cork. His first collection, A Word from the Loki (1995), was nominated for the T. S. Eliot Prize, as was The Water Stealer (2013). Floods (2000) was a Book of the Year in both the Sunday Times and the Irish Times, and The Holy Land (2007) won the Michael Hartnett Award. He lives in London, where he has taught at Imperial College and Goldsmiths College. Riordan was Editor of The Poetry Review from 2013 to 2017 and is Emeritus Professor of Poetry at Sheffield Hallam University.