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Shop nowNikolski
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Learn moreSelected as the 2010 CBC Canada Reads Winner!
Awards for the French-language edition:
Prix des libraires 2006
Prix littéraire des collégiens 2006
Prix Anne-Hébert 2006 (Best first book)
Prix Printemps des Lecteurs–Lavinal
Intricately plotted and shimmering with originality, Nikolski charts the curious and unexpected courses of personal migration, and shows how they just might eventually lead us to home.
In the spring of 1989, three young people, born thousands of miles apart, each cut themselves adrift from their birthplaces and set out to discover what - or who - might anchor them in their lives. They each leave almost everything behind, carrying with them only a few artefacts of their lives so far - possessions that have proven so formative that they can't imagine surviving without them - but also the accumulated memories of their own lives and family histories.
Noah, who was taught to read using road maps during a life of nomadic travels with his mother - their home being a 1966 Bonneville station wagon with a silver trailer - decides to leave the prairies for university in Montreal. But putting down roots there turns out to be a more transitory experience than he expected. Joyce, stifled by life in a remote village on Quebec's Lower North Shore, and her overbearing relatives, hitches a ride into Montreal, spurred on by a news story about a modern-day cyber-pirate and the spirit of her own buccaneer ancestors. While her daily existence remains surprisingly routine - working at a fish shop in Jean-Talon market, dumpster-diving at night for necessities - it's her Internet piracy career that takes off. And then there's the unnamed narrator, who we first meet clearing out his deceased mother's house on Montreal's South Shore, and who decides to move into the city to start a new life. There he finds his true home among books, content to spend his days working in a used bookstore and journeying though the many worlds books open up for him.
Over the course of the next ten years, Noah, Joyce and the unnamed bookseller will sometimes cross paths, and sometimes narrowly miss each other, as they all pass through one vibrant neighbourhood on Montreal's Plateau. Their journeys seem remarkably unformed, more often guided by the prevailing winds than personal will, yet their stories weave in and out of other wondrous tales - stories about such things as fearsome female pirates, urban archaeologists, unexpected floods, fish of all kinds, a mysterious book without a cover and a dysfunctional compass whose needle obstinately points to the remote Aleutian village of Nikolski. And it is in the magical accumulation of those details around the edges of their lives that we begin to know these individuals as part of a greater whole, and ultimately realize that anchors aren’t at all permanent, really; rather, they're made to be hoisted up and held in reserve until their strength is needed again.
NICOLAS DICKNER won two literary awards, including the Prix Adrienne-Choquette for the best collection of short stories of the year, for his first published work, L'encyclopédie du petit cercle. Nikolski won three awards in Quebec, one in France, and was the winner of Canada Reads 2010. Born in Rivière-du-Loup, Quebec, he travelled extensively in Europe and Latin America before settling down in Montreal. He currently writes a weekly column for Voir, and is working on his next novel.
LAZER LEDERHENDLER was a three-time finalist for the Governor General's Literary Award before winning the prize for Nikolski, which also won a Quebec Writer's Federation Award. Mr. Lederhendler lives in Montreal, where he teaches English and film at the Collège international des Marcellines.
Reviews
“Despite the preponderance of clues and artefacts scattered throughout the story, Dickner does not tie everything up in a neat package. He lets certain threads dangle, giving Nikolski more substance and nuance. The story lingers in the mind long after the last page has been read, leaving the reader in its strange and wonderful orbit.”–The Gazette
“Nikolski offers a breathtakingly original perception of the world, mixing geography, cartography and longing in a language and construction both intellectually sophisticated and emotionally affecting.”
–The Globe and Mail
“The characters are so infused with vitality and surprise that they become unforgettable; the language (and in translation — remarkable) is as lively as the characters; and the humorous, sweetly sad view of life in general is engaging. . . . This novel is so richly textured and multi-layered that a single short review may do it a disservice. But its comic brilliance is undeniable — a hugely enjoyable read.”
–Edmonton Journal
“Chock full of arcane detail about the sea, fish lore, antique books, travel and archaeology, Nikolski is the product of an eccentric mind propelled by an exuberant spirit.”
–Marianne Ackerman, The Walrus
“Lederhendler’s cadences and elegant vocabulary are a pleasure to read, while Dickner inexorably sweeps the reader along with the tide as the characters mature. This novel will bring a smile to your face and will be one you will want to read again.”
–Winnipeg Free Press
“One cannot say it enough: this book is the discovery of the year. . . . The humour is striking; his vision stunning.”
–Carole Beaulieu, L’actualité
“Nicolas Dickner has a limitless imagination, great erudition and an inventive pen. He is the incarnation of the future of Quebec writing — nothing less.”
–Pierre Cayouette, L’actualité
“If you are interested in the great wide world, submerse yourself immediately in this phantasmagorical, lively and fascinating novel.”
–Hugues Corriveau, Lettres québécoises
“A carefully crafted, sumptuous first novel that will restore your taste for flights of fancy and for treasure hunts in time and space.”
–Benoît Jutras, Voir
“Stylish, offbeat, poignant and perceptive.”
–David Mitchell, author of Cloud Atlas
“Dickner excites the imagination of the reader to the point of ecstasy.”
–Le Monde
“Nicolas Dickner, who uses beautifully spare prose which can be as darkly comic as it is affecting, isn’t trying to tell a conventional story, he’s trying to tap into a very modern idea: that we need to understand that we all connect with each other somehow, family or not. And he does so impressively well.”
–Metro (UK) Expand reviews