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Lost Triumph by Tom Carhart
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Lost Triumph

Lee's Real Plan at Gettysburg--And Why It Failed

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Narrator Michael Prichard

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Length 9 hours 5 minutes
Language English
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A fascinating narrative-and a bold new thesis in the study of the Civil War-that suggests Robert E. Lee had a heretofore undiscovered strategy at Gettysburg that, if successful, could have crushed the Union forces and changed the outcome of the war.



The Battle of Gettysburg is the pivotal moment when the Union forces repelled perhaps America's greatest commander-the brilliant Robert E. Lee, who had already thrashed a long line of Federal opponents-just as he was poised at the back door of Washington, D.C. It is the moment in which the fortunes of Lee, Lincoln, the Confederacy, and the Union hung precariously in the balance.



Conventional wisdom has held to date, almost without exception, that on the third day of the battle, Lee made one profoundly wrong decision. But how do we reconcile Lee the high-risk warrior with Lee the general who launched "Pickett's Charge," employing only a fifth of his total forces, across an open field, up a hill, against the heart of the Union defenses? Most history books have reported that Lee just had one very bad day. But there is much more to the story, which Tom Carhart addresses for the first time.



With meticulous detail and startling clarity, Carhart revisits the historic battles Lee taught at West Point and believed were the essential lessons in the art of war-the victories of Napoleon at Austerlitz, Frederick the Great at Leuthen, and Hannibal at Cannae-and reveals what they can tell us about Lee's real strategy. What Carhart finds will thrill all students of history: Lee's plan for an electrifying rear assault by Jeb Stuart that, combined with the frontal assault, could have broken the Union forces in half. Only in the final hours of the battle was the attack reversed through the daring of an unproven young general-George Armstrong Custer.



Lost Triumph will be one of the most captivating and controversial history books of the season.

Tom Carhart is a West Point graduate, an infantry combat veteran (two Purple Hearts in Vietnam), an academic historian, and the author of several military history books. Tom stole the Navy Goat as a cadet, earned a JD from University of Michigan Law School, was editor of European Taxation, a tax journal published in Amsterdam, and worked for the Rand Corporation in Santa Monica. He returned to Europe as corporate lawyer in Brussels, and ended up in the Pentagon. He was one of three central figures in Rick Atkinson's The Long Gray Line, the story of West Point's class of 1966. He is the author of fifty-odd articles, op-ed pieces, and book reviews in national newspapers over the last twenty years, and has appeared on many TV news shows, including 60 Minutes in 1981 and 60 Minutes II in 2001 (both on Vietnam Veterans Memorial issues).

Michael Prichard has played several thousand characters during his career. While he has been seen performing over one hundred of them in theater and film, Michael is primarily heard, having recorded well over five hundred full-length books. During his career as a one-man repertory company, he has recorded many series with running characters-including the complete Travis McGee adventures by John D. MacDonald and the complete Nero Wolfe mysteries by Rex Stout-as well as series by such masters as Mark Twain, John Cheever, and John Updike. His numerous awards and accolades include an Audie Award for Tears in the Darkness by Michael Norman and Elizabeth M. Norman and several AudioFile Earphones Awards, including for At All Costs by Sam Moses and In Nixon's Web by L. Patrick Gray III. Named a Top Ten Golden Voice by SmartMoney magazine, he holds an M.F.A. in theater from the University of Southern California. Michael appears regularly on the professional stage, including as a member of Ray Bradbury's Pandemonium Theatre Company, performing such great roles as Captain Beatty in Fahrenheit 451, which became the second-longest-running production in the Los Angeles area. Bradbury himself dubbed Michael "the finest Beatty in history."

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