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Start giftingWhat Soldiers Do
This audiobook uses AI narration.
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Learn moreHow do you convince men to charge across heavily mined beaches into deadly machine-gun fire? If you're the US Army in 1944, you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.
That's not the picture of the Greatest Generation that we've been given, but it's the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty.
While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
Mary Louise Roberts is the WARF Distinguished Lucie Aubrac Professor of History at the University of Wisconsin-Madison. She is also the Charles Boal Ewing Chair in Military History at the United States Military Academy at West Point for the 2020-21 academic year. Her books include What Soldiers Do: Sex and the American GI in World War II France and D-Day through French Eyes: Normandy 1944.
Nancy Peterson, winner of the prestigious Audio Publishers Association Audie Award, is a veteran actor and voice-over artist. Nancy has a penchant for dialects, diving deep into the study of language. Her narration style, summed up by AudioFile magazine, "creates the sense of listening to a play instead of a straightforward reading." She began her narrating career with petty theft. As a precocious eleven-year-old, the allure of her dad's brand-new cassette recorder she was strictly forbidden to touch, was too tempting to bear. With an Encyclopedia Brown paperback and the recorder, she began a journey she continues to love.